
intothepill.net proudly presents the one and only travelling poetry bar in the whole world
Intothepill.net presents Karaoke Poetry Bar at Space 417 in Metaxourgeion square, with the support of the 1st Biennale of
Karaoke Poetry Bar is a multimodal installation which combines poetry, performance and video. The project involves several visual artists and poets and is based on the idea of reversal, i.e. of changing the function of a “space”, transforming it into a generator of possibilities, a playground of ideas. Participant artists and visitors are thus involved in the contingence of utopia.
Karaoke Poetry Bar is a real although temporary karaoke bar where pop songs on the stage monitor have been replaced by poems written by Greek poets who have emerged within the last 10 years. During recitation, the poems await to be challenged by the audacity and the intentions of the audience.
Within the same space, video works by contemporary Greek artists will be presented in a video installation. The video works are documentations of performances in public spaces around
In Karaoke Poetry Bar, the exposure of artists and visitors to the recitation of poetry is intended as a metaphor for the artistic act itself. Because to approach art is to abandon the safety of the plot, the expectation for “meaning” and, ultimately, the demand for function.
Concept, curating, and design of the installation: intothepill.net
PARTICIPANTS:
Visual artists (video/performances)
Alexandros Avranas, Vangelis Artemis, Dimitris Christidis, Aikaterini Gegisian, Alexandros Georgiou+Mamali Shafahi, Nikos Giavropoulos, Yiannis Grigoriadis, Giorgos Gyparakis, George Drivas, Makis Faros, Yiannis Isidorou, Kostas Ioannidis, Katerina Kana, Georgia Kotretsos+Paul Zografakis, Yiannis Koufopoulos, Nina Kotamanidou, Tassos Langis, Vassiliki Lefkaditi, Ioanna Myrka, Lea Petrou, Lila Polenaki, Ioannis Savvidis, Yorgos Sapountzis, Andreas Sitorengo, Thanos Stathopoulos, Athena Stamati, Shifty Tongue, Vassiliea Stylianidou+Chryssa Tsampazi, Despoina Stokou, Yiannis Theodoropoulos, Lina Theodorou, Panagiota Tzamourani.
Poets / live performances at karaoke machine:
Vassilis Amanatidis, Dimitris Allos, Yiannis Antiochou, Iana Boukova, Giorgos Chantzis, Foivi Giannisi, Katerina Iliopoulou, Doukas Kapantais, Dimitra Kotoula, Patricia Kolaiti, Dimitris Leontzakos, Giorgos Lillis, Stamatis Polenakis, Efi Pirpasou, Vassilis Rouvalis, Yiannis Stigas, Maria Topali.
Within the same space, video works by contemporary Greek artists will be presented in a video installation. The video works are documentations of performances in public spaces around
In Karaoke Poetry Bar, the exposure of artists and visitors to the recitation of poetry is intended as a metaphor for the artistic act itself. Because to approach art is to abandon the safety of the plot, the expectation for “meaning” and, ultimately, the demand for function.
Intothepill is not the site of a collective but, rather, an attempted conjugation that vibrates incessantly with doubt: the only safe recourse of the poetic act.
Those inside the pill send out their unintelligible signals in their personal idiolects and sometimes, they intersect, discuss, translate and exchange their alternative realities.
This form of independence, which is not to say autonomy, the unprecedented liberty enforced by our times, in which diachronicity is replaced by synchronicity, succession by simultaneity and ‘History’ by the ever-present moment, along with the price we pay to possess it, together constitute a wager: how to remain dangerous, transitive, actively transgressive, hallucinogenic.
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Το intothepill δεν είναι ο τόπος μια συλλογικότητας αλλά μία απόπειρα συνεύρεσης που δονείται ασταμάτητα από την αμφιβολία, το μόνο ασφαλές καταφύγιο για την ποιητική πράξη.
Όσοι είναι μέσα στο χάπι εκπέμπουν τα ακατάληπτα σήματά τους, καθένας στην «δική»του γλώσσα και κάποτε συναντιούνται, συζητούν μεταφράζουν και ανταλλάσουν τις εναλλακτικές τους πραγματικότητές.
Αυτή η μορφη ανεξαρτησίας, που δεν σημαίνει απαραίτητα αυτονομία, η άνευ προηγουμένου ελευθερία που η εποχή μας επιβαλει και μέσα στην οποία η συγχρονικότητα αντικαθιστα την διαχρονικότητα, η συνύπαρξη την διαδοχή και το αέναο παρόν την «Ιστορία», καθώς και το τιμημα που πληρώνουμε γι αυτήν, συγκροτεί ένα στοιχημα: πως να παραμείνουμε επικίνδυνοι,
επιδραστικοί, δραστήριοι αντιδραστικοί παραισθησιογόνοι.